Showing posts with label family. Show all posts
Showing posts with label family. Show all posts

Thursday, February 13, 2025

It's February and I Feel Free

"There is a lovely hill that runs out of Ixopo."- Alan Paton, 'Cry, the Beloved Country'



I've been busy, relaxed, anxious, and enjoying more peace than I have ever known in my working adult life. I got my hair done, invested my superannuation four percent start-of-year payout in getting a house renovated, resigned from my full-time teaching job, started my M.A in full-swing, started having two part-time jobs, became co-chair of a government advisory board, and did NOT finish reading 'DUNE' (Book 1). I'll get there. Book-wise.

I've moved up to Siusega, where I now live in a small but neat unit with Samkeyes (my cousin who is now my brother). It was a real fixer-upper when we first got it. I like to think I am learning patience. 

We live next door to our uncles Peni and Pastor Siona. Our uncle Siona's house is where we eat and hang out most of the time. He drives us to school early everyday. I am adjusting to being part of a family again. My own blood family, for once in a really long time.

I am tired and very energized. I feel better than I have felt since my dad passed away. Perhaps this is the right arrangement for me.

In 2025, I choose joy. My joy. For the first time in years.

I'm financially a lot more stable now. I sleep longer. Work more. Work harder- I've always worked hard, but this time, I do it very happily. Happiness is sparse in this climate, no?

Samkeyes is at Nursing School. He loves it. I am so proud of him! Everyone who comes into my brother's gentle and kind care in the healthcare system will be very blessed. Just as I have always been.

It's February and I'm wearing lots of makeup and my favorite jewelry again. I am free.



Saturday, January 4, 2025

Happy New Year


We Live Here Now

(Even if we don't know where 'here' is)


"There is nothing that cannot happen today."
Unknown

One of the last and most beautiful sunsets of 2024. 

I will be twenty-eight this year. Next month, it'll be exactly one year since I last heard my mother's voice. My MA module website is opening in four days. How ready am I to be a proper student again? Very ready and also completely terrified about the prospect of having my effort be under the academic microscope again. I'm studying at O.U (Open University, U.K). It's the university that produces the highest number of CEO's in the United Kingdom, and one of only two U.K universities to have Middle States Commission Accreditation in the U.S. I'm also the first Samoan on this scholarship scheme (Commonwealth Distance Learning Scholarship), and second Pacific Islander ever. So, no, I'm definitely not under any pressure right now. 😂

Recently all kinds of excessively cool stuff has happened for me. I know. I'm still not halfway through telling the story of my U.S trip. Oh well. Life happens. Every interim is also a hectic precipice at which some other great thing is happening. We are just voyagers. We only come so far on our own skill. It's the waves, the tides, the winds that move and shake and shape our courses. And thank heavens for those! Sometimes going straight is going the wrong way. I'm a product of so many off-course journeys. Detours. We are all part of this great accidental plan. 

I'm a new Commonwealth Correspondent for the YourCommonwealth Youth blog. First Samoan to be in this space. I'm the official Samoan ambassador for Space Kidz India's all-female lunar satellite project, Mission ShakthiSAT. Another first for Samoa and Polynesia. We did CHOGM and the Commonwealth Youth Forum in October. I got to lead the drafting of the new youth declaration's opening pillar. 2024 was a year of firsts. Dark humor irony: the only thing that wasn't a first was losing an immediate family member. I've lost five so far! In order: my brother Gabriel, my sister AngelRose, my adopted brother Sabbath, my Dad, and now my mum. Also, because extended family tend to be just as close as nuclear ones in the Pacific,  I lost my grandma just after my dad, and that was VERY painful. VERY! All I can say now is this: being first is not easy. This is probably why we honor "firsts". Human culture is obsessed with initiation, with discovery, with pioneer-ism. 

This year my brother Daniel is finally getting his Bachelor's Degree from Monash University in Melbourne. He's going to be the first grandson on both sides of our families (our parents' siblings and first cousins) to graduate from an international university. I will never understand how he manages to be so resilient and also so composed. He never says too much. Never does too much. Some days I wish he was my older brother. He's calm. Cool. Ah, well. Perhaps my overly loud manner is good in its own way. It gets things done, and that's about ninety percent of what being an eldest/first child is about in the Pacific. The ten percent is about taking the blame when things don't happen. I'm still struggling with both. But who isn't? 

In this new year, I am hoping to see more miracles but also to be more kind- to others, and to myself. To say yes to blessings and also say "not now" when I simply can't take anything else on. I'm a chronic people- pleaser. And a workaholic. It'll take some time to learn to step back in that way. But as I inch closer to thirty (oh my Lord😳), I know that I need to start investing rest and peace in my mind and body if I want to live longer than my parents did. I owe it to myself to see sixty and seventy and beyond, and if I ever have children of my own, I'll owe it to them to make sure they don't end up orphaned like my brother and I did. 




Tuesday, July 9, 2024

in the interim

in the interim: what happens here? 


"It's the in-between..(where) you can become invisible."- K.W

That's Chicago, from several thousand feet in the air, on a United Airlines flight from the mainland to Hawaii.

I love to travel but hate traveling. Planes are a hassle, you know? All this notwithstanding, I got on a six hour flight from Upolu to O'ahu a few weeks after my mum's funeral. Zero time was spent processing anything - I just went for it. 

Back in January, I was selected for the Resilient Pacific Islands Leaders Fellowship. It's an initiative of the East-West Center, implemented by the Pacific Islands Development Program and hosted at the University of Hawaii. It was a lot of luck, I think, but also good timing. My mum was so excited when I told her, and I'm very glad she at least knew I was about to embark on my first fellowship, before she passed on. She knew I was going to be okay. Mostly. Hah. 

I haven't written anything in here for about five months. What can I say? I've been living and doing and being. It's kind of ridiculous that half a year has already flown by. I've been feeling as though l've been living in some sort of transitional, interim period. I've developed a whole new routine. My house has transformed into a new space altogether - one absent of my mother's mince pasta on Sundays and her sun-dried laundry on Tuesdays. My cousin Samkeyes has come to live with me. According to our Samoan culture, it would be negligent of my extended family to let me live alone (a.k.a independently 😂). I've always had a very great sense of self-sufficiency. I've had to- I took care of both my parents and have paid all the bills since I turned twenty-one. BUT, and I never thought I'd say this, it's been the BEST thing ever having my cousin over. He's got my dad's amazing cooking skills, my mum's love of clean clothes, and our grandmother's storytelling (☕ tea-spilling?) propensity. Having family members is actually wonderful. It's one of those things we don't often take time to truly marvel at. In this chapter of my story I AM (finally) GRATEFUL to be part of a big extended family. Of course, as with all extended families, there'll always be specific people I gel better with than others. And yes- there are some that I still don't see eye -to-eye with. But that's life. A family is essentially a basic social unit. Probably the most basic one there is. Social units are comprised of humans and humans have flaws. Right now, I'm just trying to live the happiest way I know how: simply, honestly, and kindly. What have I learned in this interim? That first and foremost, it's important to be kind to myself. I can show up better for my loved ones, and love them better too, if I love myself. 

I've started reading again- this month's task is to complete Kevin Kwan's sugar-sweet Sex and Vanity. It's my first time reading a contemporary rom-com. I'm both proud and ashamed of that. My reading list is so vast and I've only just found the...COURAGE to venture into this gem of a genre. I'm very pragmatic. And cynical. BUT THIS- wow! It's turning out to be just what I need right now. 

I'll write more about Manoa Valley, all the cute guys I saw, and all the amazing food I had in Hawaii, in my next post. Did that sentence sound vapid? I'm glad. I'm learning, also, to stop taking myself so seriously these days. 

Monday, December 18, 2023

I Was in a Musical about Silence, Part II

What Does Silence Sound Like?

"Oh Lord, You Know, I'm tired."




Is there anything louder than silence? 

That is the question we set out to answer as we stepped onto the stage at the Ministry of Education, Sports and Culture's Arts and Culture Center on Wednesday, December 6th 2023. I remember vividly the bright harshness of the spotlight as it illuminated our first scene, 'School Choir', against a blue-dark auditorium. I'll never stop being in awe of how stage and theater performers weave magic into the atmosphere, right before "a thousand eyes", as Sia once sang. Said audience was, that day, a mix of bubbly teenagers and thoughtful, maybe slightly cynical, adults. And why shouldn't they have been? We were bringing to stage a locally produced, locally directed showcase that was going to do the still-difficult work of opening up conversations about Intimate Partner Violence and Domestic Violence. Of weaving words and music into the spaces where silence belies the existence of such nuances as mental abuse, microaggressions and unexpressed psychological trauma.

The magic of Performing Arts is felt not only by the audience. We as a cast experienced it too, in a very real way that gave us strength and agility, maybe even more than we had during the dress rehearsal the previous day. From Eseta and Benjamin's melancholic opening dance, 'Tired', to my brother's narration of performance poet Ioane Otineru's post-colonial ode to gender disparities in Samoa, everyone felt strong and so performed STRONG. Our first review, by pioneering Samoan performance poet and novelist Sia Figiel, commended the "physical and emotional strength (as well as the) conviction and confidence" with which the production was presented.

When I stepped on stage to perform my first piece, 'Ode to She Who Held Up the World', I felt a power and urgency that pushed me to remember every single word. It also encouraged me to give our audience the full gamut of all the many, MANY emotions that I feel about generational silences and the way religion, economics and culture weave a 'quilt' of trauma around so many mother-daughter relationships. I thought of my Samoan grandmother- herself a mother to three daughters and a grandmother as well as great-grandmother to many more. It was not until she was gone that I learned she had always dreamed of doing the very thing I was now blessed to be doing: writing for and performing on stage. It made me sad and it made me angry and somewhere between the two, I found a new kind of strength. My main emotion 'generator' has always been sense memory, so I thought of my father when I sang those words, ua fa'afetai Iesu, Lou alofa, ua e aumai mo matou nei ni tina. Really good art forces the artist to look within themselves and find truth, or at least, meaning. When a thing means something, we feel it. And when we feel it, the art has done its job. It is successful. It is a nice song or a good book or a funny movie.

I am not a dancer (not in public, at least 😂). Dance is on my bucket list of 'talents' that I want to somehow manifest myself into having. For this reason- but also because dance is beautiful- I have a very focused way of watching people when they dance. Samoa Performing Arts and Creative Excellence (S.P.A.C.E) produces some of the most magnificent, genre-bending dances Samoa has ever seen. Their storytelling is articulate to the point where words would only serve to misconstrue and spoil what is already perfectly clear and heavily palpable. Of all the things I love about S.P.A.C.E, one of the main ones is the willingness of their director, the brilliant Valentino Maliko, to let new and aspiring dancers join and also to work closely with them. Alofau Rile, my auspicious and highly ambitious student, had a late-night epiphany and decided he wanted to be part of the dances too. That they gave him the space and support to find his footing and leap into success is testament to how the right people in the right place can make dreams come true. Benjamin, Grace, Elisapeta, Eseta, Alofau and Tamiana all have unique ways of moving and feeling the beats and rhythms. They are, after all, individuals. No two people will dance the same dance to the same song in exactly the same way. I noticed this immediately in the all-male number, set to Hozier's 'Take Me to Church'. Where Tamiana's hand movements are strong and well-defined, Alofau's are graceful and fluid, whilst Benjamin's are swift and bouncy, with a hint of wit and gentle humor.

Even our poetry readings and recitations brought with them the unique personalities of each poet. Where Sia Figiel described my style as "commanding", she emphasized that Krystal's piece was "dexterous" and complementary to it. Lars, a rapper, brought in bars that hurled the message of SHE IS NOT YOUR REHAB at an eager audience who caught every rhyme and line. I think about it now as, many different voices amplify a common cause and help achieve a common goal. Our strength is in our differences.

Like any live performance, there were a few funny moments. Music queued at the wrong time, some wardrobe malfunctions, I even forgot my plain black tee in the morning rush and had to turn my 'HUSH' cast t-shirt inside-out for my narrations. But the combined good work ethic and high levels of trust between cast and crew put on what I know was a great show. And the reviews have all been stellar! (Also, people wanna buy t-shirts of us, so I'm guessing we looked good too, lol).

We've just wrapped filming our musical, something that I will talk about in a later post. For now, I am grateful, and I feel HEARD. The story has been told, and now, it is up to those who listened to live it, learn from it and pass it on. Also, someone said we should go on tour...


The cast of 'HUSH: The Musical' with directors: 
L-R: FRONT ROW- Benjamin Lelevaga (dancer, chorus member [tenor])Tamiana Olano (dancer, chorus member [tenor]), Lars Gustaf Bell (rapper/ narrator) 
CENTER- Maluseu Doris Tulifau (producer/ director/writer), Eseta Corrine Uili (dancer, chorus member [soprano]), Yvette Alalatoa (producer/director/writer), Abbey Tofamamao Heather (chorus lead singer, actress ['the Teacher], singer (soloist, 'Rise Up'), Krystal Elizabeth Juffa (singer [duet], chorus member [soprano], actress ['Toxic Girlfriend'], performance poet/narrator, writer), Grace Pauga Greed (chorus member [soprano], dancer, actress [' Silent Mother']), Jasmine Koria (chorus member [alto], writer, performance poet/narrator, singer [soloist, song as part of monologue, 'Ua Fa'afetai Iesu Lou Alofa']), Nathan Sam Pomare (chorus member [tenor], actor ['Toxic Boyfriend'], singer [duet])Valentino Maliko (director, choreographer, musical arrangements)
BACK ROW- Brown Girl Woke Representative (name not provided), Elisapeta Fepulea'i (dancer, chorus member [alto], actress ['Questioning Daughter']), Alofau Rile (dancer, writer, chorus member [tenor]), Daniel Koria (narrator, writer, text editor)
 NOT PRESENT- Ioane Otineru (writer)



I Was In A Musical about Silence, PART I

HUSH, and other Sounds

The beginnings of HUSH: The Musical

Starring: Nathan Sam Pomare, Krystal Elizabeth Juffa, Jasmine Koria, Daniel Koria, Tamiana Olano, Alofau Rile, Benjamin Lelevaga, Grace Pauga Greed, Elisapeta Fepulea'i, Abbey Tofamamao Heather, Eseta Corrine Uili, and Lars Gustaf Bell 

The Official Poster for HUSH: The Musical (2023).


Two weeks ago I was in my first-ever musical. The work was a collaborative production of Brown Girl Woke, Samoa Performing Arts and Creative Excellence (S.P.A.C.E), the United Nations Education, Social and Cultural Organization (UNESCO) and the Ministry of Education, Sports and Culture (MESC). I was a writer, vocalist and narrator/performance poet in the show. Busy does not even begin to describe this season of my life. 

At our first writing session, we, the writing team, threw around several onomatopoeic words and phrases. We knew right from the beginning that we wanted the narrative to have a poetic, lyrical flow. Think, ocean waves and sandy sea breezes. The focus of our work was to be IPV (intimate partner violence) and DV (domestic violence), and the way in which silence both perpetuates and prolongs these societal woes. We talked about the sound 'shhh' that is often heard when a child talks too loudly. 'Shh' is a very interesting expression- it can also be used to menacingly get someone's attention, or to jokingly brush off someone's attention. For some reason, as we all sat around the table making the 'shh' sound, the word 'HUSH' came to my mind. I blurted out, 'Shh sounds like HUSH!"...and everyone thankfully indulged my idea (lol). Thus, the musical got its name. And the serious work of drafting scenes, sequences, choosing songs and arranging the cast list began. 

One of the things I am most thankful for is that I starred in my first musical under amazing direction. Brown Girl Woke's Doris Tulifau and Yvette Alalatoa, and S.P.A.C.E's Valentino Maliko were an absolute dream to work for. They were visionary, perceptive, creative and super accommodating of our cast's different schedules (and personalities!). Directing and producing a musical in the developing Pacific is very different from running a show in, say, Auckland or Sydney. For one thing, you will most likely be working with artists whose 'art' is but a part-time or spare-time endeavor. Most people- especially young people- in our part of the world cannot afford to do their craft full time. The majority of our cast, and even the directors themselves, has full-time work and study schedules PLUS a myriad of family and community obligations that we had to very carefully work around. Then, of course, there were the usual setbacks like illness and bad weather. I should know...I had a bad episode of vertigo mid-week, two weeks before the show opened. I literally woke up in the E.R (fun times!) with a nurse (who happened to be a former student of mine!) telling me I had low blood pressure. Side note, I could barely talk but was so bloody proud to see my student living out the full fruition of his dream! Yay for Pacific success :)

Something I'll never forget is the human compassion and kindness that our directing team extended. They wanted the show to be a success, yes, but they also cared deeply about the health and well-being of their performers. I got the rest of the week off and they checked in on me constantly. Dream work environment, if ever there was one!

The final cast was a twelve-member ensemble. We were all versatile performers, the majority of us being able to sing, dance, write AND act. The Pacific is brimming with talent, but still lacks opportunity. Just before opening day, my brother arrived from Melbourne for his usual end-of-year holiday. He's an amazing performance poet, writer and rapper, so of course I kinda-sorta talked him into joining us. Yes, Samoa is THAT small-you and your entire family be in a play together before you know it 😂 

As a cast, we got on GREAT. Everyone was super supportive- there is nothing quite like knowing your co-workers are truly, genuinely rooting for you. If I had to attribute our success to any one single thing, it'd definitely be this. We had a lot of laughs, and a ton of great conversations about everything from where we grew up to how to become TikTok famous. Remember when Nelly sang "we started as strangers, now we leavin' as brothers'? Yeah. This was the vibe. We worked long nights sometimes, plus there was the general exhaustion and of course, for us narrators, a couple of slip-ups and forgetting lines. But we worked through it, and an absolute gem of a lesson that I have learned from this experience is that PEOPLE make all the difference. You can have the most high-tech, state-of-the-art facilities or the biggest budget in the world. An unsupportive team holds everyone back. I'm so blessed, so grateful, that this was not our case. We were a team in that cliche but important way: together, everyone achieve(d) more. Thanks team!

(to be continued...)



Sunday, November 19, 2023

What's In a Name?

I AM VASHTI

"But the queen Vashti refused to come at the king's commandment by the eunuchs. Therefore the king was very angry."- Esther 1:12


Who are you named after? 

In Samoa, names are super important. And we don't necessarily get named after important people. A lot of folks I know are named after places, months of the year, body parts, numbers, weather patterns, colours (not just the traditional ones like Brown and White), and even movies! I actually once met someone called 'RoseTitanic'. We, as a people, are super invested in the stories (and details!) that catch our attention and impact us deeply. Names are a crucial part of the fabric that makes up Samoan (and Polynesian) society. We are, first and foremost, story-tellers. Words are of the essence. Your name has to be a word that means something, and that shows the way back to where you come from as well as forward, to where you're going. 

I've listened to many debates about names before a child is born. My gosh, I've even heard people argue over prospective children's names mid-way the wedding planning process. I know of many people, even those in my age group (mid-20s) who still choose to go the traditional Samoan route and give an eldest child a name from the father's side of the family. Whatever people choose, one thing's for sure: In Samoa, it's not our custom to give a child a name 'just because'. Your whole fa'asinomaga*, or the whole history of your parents' or grandparents' love story, usually has to be in there somewhere. 

I've heard it said, even, that a name can either be a curse or a blessing. I don't believe that, but I do find it interesting. They say people often become what you treat them like, or what you say they are. Super fascinating that sometimes it is possible to trace 'failure' and 'success' back to the most common thing we get called every day: our names. 

My paternal grandmother, Vasati Ulaula La'ulu-Tafuna'i, was born on May 12, 1939. This was twenty-two years before Samoa gained independence from the British Empire, and only twenty-one years after the deadly Influenza Epidemic. It killed at least twenty percent of Samoa's population. When my grandmother was born, Samoa was right in the middle of its independence struggle, and Eurocentric values as well as customs had infiltrated almost all spheres of life. Christianity, with its long dresses and even longer prayers, was the staple religion by then. Christian names were the norm for children born in those years. And not just any Christian names. If you were born into a God-fearing family, you would be given the name of a brave hero or an exceptionally obedient heroine. Think Joseph (Iosefa), Miriam (Miriama), Moses (Mose) or Esther (Eseta). For reasons I still don't know, my great-grandmother gave her eldest daughter the name Vasati. Translated, it is 'Vashti', the name of the defiant Persian queen whose disobedience cost her her marriage, her family, her home and her reputation. 

My great-grandmother was a pastry chef at one of the early Chinese eateries in Apia (Fong's, I believe it was called.) In many ways, she was a woman swimming against a stubborn tide. 
Smack-dab in the middle of colonial Samoa, at a crux between two major value systems, Leoi Baice did what women all around the world were still being discouraged from doing in the 1910s and 20s: she had a career. She is one of many strong Samoan women of that era who dared to dream, and dared to live those dreams to the fullest. Whether this influenced her to name her daughter Vasati, instead of Eseta, I will never know for certain. But I do know that my grandmother lived up to her name, and that I wouldn't be where I am today if she didn't.

Vasati had fourteen children, all of whom she raised and put through school despite various seasons of widowhood and divorce. She worked no less than three jobs at a time, beginning when she was a teenager (1940s) and only retiring a few years before I was born (1990s). Vasati's ultimate dream was to become a playwright, musician and actress. She wrote stories and songs which only ever got performed for the missionaries and people of her village. She learned to read and write in English, the colonial language, and made many friends, both Samoan and non-Samoan. One of her best friends was a German woman named Moola, who became like a sister to her. My grandmother never talked herself down, or displayed self-depreciating behavior in the presence of non-Samoans. She believed she was just as good as any woman OR man, black or white. She dared to think that. That all people were created equal. 

Whenever I hear the name 'Vashti', in Bible study or on television, I remember a story my grandmother told me when I was a kid:

"I was working at a guest house- reception, housekeeping and that sort of thing. It was just a few years after Samoa became independent, so there were still many rules in place. Tourists and locals alike had to abide by them if they stayed at our guest house. No cursing, no littering, no public nudity or inappropriate behavior or words. We were trying to balance things between fa'aSamoa and also Christian teachings. Be respectful to everyone, you know? Well, one night, these fine European gentlemen came in. They bought some beers and sat together chatting for a while. At first, everything was fine. Then, towards midnight, they started talking very loud and saying some very silly things. It was mainly us girls on duty and you imagine it- three or four Samoan girls and a whole lot of drunk men. My colleagues felt so nervous, especially because the men were breaking the rules of our guest house. I asked them what we should do and they said, 'just leave it. They're white. They'll make a fuss and get us kicked out of work.' I wasn't going to just leave it, though. I went and asked them nicely to please make their way to their rooms if they weren't going to order any more beers. They did go. But they didn't go to sleep. No! They went to the showers, threw their used towels all around the hallway, went into one room, and continued making noise. They acted like they owned the place, and our manager had already gone home for the night. I went straight to that room, carrying their wet towels, banged my fist on the door, and called them to open up. They were so shocked. I threw their towels right at them, and threw my big cleaning broom in too, then told those boys: "you better fold your towels and put everything away before the manager comes in at 6am tomorrow. Then, pack all your bags and leave. And there's the broom- sweep your room before you go." 

Yeah, my jaw was on the floor too, hearing that story. That's not even the end, though. She told me, "they packed their little suitcases faster than I've ever seen anyone pack anything away, threw all the bed-covers into neat piles, tossed their towels in the laundry area and rushed out. It took less than an hour. I've never seen grown men rush away like that before. But they left. And the floor was spotless too."

Whenever I hear the name Vashti, I think of independence. I think of being a strong woman in a dis-empowering world. I think of reclaiming ME, the way my country reclaimed itself in 1962. First in the Pacific to be independent, my Samoa. 

Esther is a beautiful name. My grandfather's mother was named 'Eseta'. Esther is courage, gentleness, and sacrifice. But Esther is also a figure that is weaponized by patriarchal narratives. She is used, and misused, against the demonized 'other' figure of Vashti. And yet, both are important. Vashti's refusal to be put on display like an object ushered in the era of Esther, without whom the people of Israel would not have been saved. In a world where docility and passiveness are idolized as 'feminine', sometimes, you have to dare to live outside the mould. In a world of Esthers, sometimes you have to be a Vashti. 



My grandmother, Vasati, in her late 30s, I believe.  



*fa'asinomaga: traditional heritage (a combination of your genetic ancestry, villages/districts of origin, and titles/ social privileges associated therewith)



Thursday, November 16, 2023

What's the Story?

Writing: A Never-Ending Story

A poem often becomes a story, and stories sometimes never end.




My writing process is as hectic as everything else in my life. Someone once told me this is called 'organized chaos'. I love irony, so I took it as a compliment. 

I've been writing since I was twelve years old. I was a very imaginative kid. I had this fascination with blurbs on the backs of hardback book covers as well as magazine articles. National Geographic was my absolute favourite. Our school library had stacks and stacks of these magazines, dating all the way back to, like, 1970. I'd read and read, and then make up my own stories and write them in my exercise books. Much to the dismay of my teachers (especially the Maths teachers! Sorry Mrs Pelenato and Mr Epeli!). I just couldn't help myself. 

What I didn't realize as a child was that I was, slowly and surely, honing a love for telling stories about people and places. I learned to love descriptions. To appreciate nuances in the geography and topography of places I still haven't been to. I know a river still runs out of Eden. I saw the Tigris on my way out of Dubai. But which river was James Vance Marshall talking about, and where can I find it, in this big, confusing world? To hear and respect different voices, some of which belong to people who are no longer alive. Nelson Mandela. There are days when I think I walked with him the whole way to Johannesburg and back, to see his mother. To eat home-cooked food, just one more time.  I learned to feel different types of fear, and different types of pain. I'll always think The Boy Who Was Afraid was a missed opportunity to open so many conversations about Polynesian masculinity. About it being okay to cry. To ask for help...I learned, also, to love anomalies. Misfits. Shirts that have one sleeve longer than the other. German prisoners of war that fall in love with upper-class Jewish heiresses. Some of my most favourite books- simply for their amazing attention to detail- are:

1. Cry, The Beloved Country (By Alan Paton)

Favourite Quote: "There is a lovely road that runs from Ixopo into the hills. These hills are grass-covered and rolling, and they are lovely beyond any singing of it. The road climbs seven miles into them, to Carisbrooke; and from there, if there is no mist, you look down on one of the fairest valleys of Africa."

2. Project Hail Mary (by Andy Weir)


Favourite Quote: “Oh thank God. I can’t imagine explaining “sleep” to someone who had never heard of it. Hey, I’m going to fall unconscious and hallucinate for a while. By the way, I spend a third of my time doing this. And if I can’t do it for a while, I go insane and eventually die. No need for concern.”

3. As The Earth Turns Silver (by Alison Wong)

Favourite Quote: "Their god is a white ghost. You see the pictures. He has pale skin and a big nose and a glow of moonlight round his long brown hair. He has many names, just as we Tongyan have many names. We have a milk name, an adult name, perhaps a scholar or chosen name. The Jesus-ghosts call their god Holy Ghost. Even they know he is a ghost. People are like their gods, just as they are like their animals. They even call him Father. We do not need to name them, these gweilo. Even they know they are ghosts."


My love for details has given me a very eccentric reading list (which I love!). It has also given me a love for telling stories about various symptoms of the human condition; for telling them in different voices and drawing them in different colours. Because there is no singular way to be human, there can be no singular story that best conveys our humanness. Every story is just one of a trillion ways to express our humanity. Even the most high-fantasy or science-fiction plot is about our humanity. If it comes from us, it must be about us. 

The most hectic thing about my writing process is that I never actually know what anything is going to be. A single word becomes a poem. A poem becomes a story. A story becomes one of my many unfinished manuscripts. An essay can either be done in six minutes (no joke- I write faster than a bullet train when I'm under pressure), or six months. No in between. The biggest blessing is that I still have people who want me to write, and who actually want to read what I write. I'm a print and performance poet as well as a songwriter (I think? lol). I've published a few stories too. I'll always write more poetry than any other genre. A writing mentor I had as a teenager told me Pacific women write mostly poetry. She didn't know why, but I do. As Pasifika, our earliest modes of transmitting information were song, dance, chant and speech. Oral tradition preserved our stories and histories for eons before the papalagi brought their 'written word' to us. When we 'crossed over', as my Sa'anapu people would say, we brought with us our love for, and skill at the original record keeping methods. It's in our blood, basically. 

At my grandmother's funeral in September, I learned that she was a poet, songwriter and playwright, in both English and Gagana Samoa. With the few opportunities available to indigenous women in early post-colonial Samoa, she was limited to church and village spaces. She never told me about any of this. She always said how proud she was of me, writing and performing and traveling. She let me shine. She never, and I mean never, said, "you got your gifts from me." She allowed my gifts to be just that- mine. My own voice. My own story. Only last week, a cousin of mine shared with us some pages of our grandmother's handwritten autobiography manuscript. One thing I learned from my grandmother's writing: love. True, unconditional, sacrificial love. The kind that isn't 'cool' anymore. But that our world still desperately needs. Because this kind of love endures. Just like storytelling. Just like humanity. 


The title of my grandmother's manuscript, in her striking, confident handwriting. Translated and abridged, it reads:
I AM VASATI:
The Story of My Life
As I Have Written It, Aged Seventy-Six
Someday, I hope to edit and publish this on her behalf. She was a woman ahead of her time, in so many ways. 


Friday, November 3, 2023

Who Do You Think You Are? Part I

In Europe, they Call Me 'Madame'

Of all the things I've ever been called - both nice and unflattering (ah, life!)- the most memorable one is the European courtesy, "Madame". Madames have always been, for me, grand corseted figures in super-white powder foundation. There's something matronly about it. "Madame." Alas...there I was. A twenty-five-year-old Polynesian first-timer to the Northern Hemisphere. Talk about a culture clash!



If you're wondering where I got such fanciful stereotypes/ perceptions of a word that's actually a really common courtesy in Europe, please know that I place the full blame on Ever After and the dozens of bulky historical fiction tomes that litter my reading list. I know, right? I'll give myself grace on this one, though. The stories you're about to read are from what was only my first time out of the Oceania (Pacific) region. And what a time it was! #blessed

My first view of the famed Swiss Alps. I was overcome with a million different emotions, all at once. I made sure to play the Sound of Music's 'Climb Every Mountain' as we landed, in honor of my father, who loved and taught about Europe, but did not live to see it. 

Going to Europe is a rite of passage, isn't it? Well, it was, for a lot of people I knew as a teenager. It's the making of a social grade. The ticking of a box. You get bragging rights and photos for 'the Gram', and if you're from a tiny little speck like Samoa, you'll be featured on the Coconut Wireless front page. If you don't know what that is, count yourself lucky (😴). I know this idealization isn't limited to those of us in the small (and vast!) Pacific. Europe is, after all, the seat of much of what we still consider to be 'world history.' I've put that in speech marks because it's a whole other conversation about colonial and imperial narratives as well as white-washing. That's for another post, most definitely. Back to the point, for now: Europe is a dream destination, a life goal, even, for many people all around the world. If I'm being completely honest, I never actually really desired to travel to Europe. It's not that I was actively opposed to it or anything. It just wasn't on my immediate bucket list. If you'd have asked me a year ago where I'd go if I could travel anywhere in the world, I'd have immediately answered: South Africa. Now THAT was the seat of my childhood dreams. My father was an Alan Paton fanatic (zealot, lol?). Another story for another post, this one is.

I remember the first time I saw the very tips of the Swiss Alps. I'd seen pictures of them on chocolate boxes and plastered across various walls in Auckland and Wellington. I'd watched The Sound of Music more than a hundred times, at the least, and I knew all the words to that beautiful song: 

Climb ev'ry mountain 
Ford every stream!...

Nothing, and I mean NOTHING, had prepared me for how beautiful  the descent into Geneva, Switzerland would be. The clouds melted into snow-capped mountain ranges, deep dark rock contrasting the whitest (and first ever!) snow I had seen in my life. We didn't get snow in Wellington, only random hailstorms that conveniently always seemed to start while I was walking to school! Oh, gosh...Anyway, the Swiss Alps! I had Climb Every Mountain on repeat as we slowly came down, through the thick clouds. It was a pretty steep climb, I remember. I have a lifelong fear of heights, and a fear of falling in general. I recall the nervous feeling in the pit of my stomach- there was a point where I actually thought we might just fall the rest of the way down. Fear of the unknown, you know? But fall, we did not. We touched down comfortably on a sunny tarmac overlooking the ever-gorgeous mountains. I stepped off the plane in the heaviest skirt I own, a long shirt, socks pulled up long too, and gloves. Boy, was I an idiot! I had known it would be summer in Europe at the time, but I'd imagined European summers might be like most of the New Zealand summers I'd had- think autumn, but with brighter sun rays. Oh, the despair of breaking into a sweat as I walked through the airport. It was bloody hot! Like, almost Samoa-hot! 

Bags and passport cleared, I tore off my gloves, rolled my sleeves up as high as they would go, and rolled my socks down as low as possible. Thankfully, the uber-esque ride I'd booked was already there and ready to go. The driver had a chuckle at my unpreparedness for the Swiss summertime, and reassured me that there were only warm, sunny days ahead. 

It was at the check-in desk at my hotel- the Hilton- that I first heard the word 'Madame' in active use. We say 'Ma'am' in most English-speaking countries, which is polite enough, I think. But 'Madame.' My God! It has a different ring to it, doesn't it? All the front desk staff spoke either French or Arabic as a first language, so their way of saying words like 'Madame' has these really beautiful, almost musical intonations. I felt so grand. It was amazing! It is amazing, actually. How something as simple as the way you address someone can impact their self-esteem. Think, Johnny Lingo and the Eight Cow Wife (lol, again!).

I was so relieved to finally get to my room. What a great room it was! I opened my window to see the most amazing thing ever: a sign that indicated the turn-off, on the highway, which would lead you out of Switzerland and into France. "This way to France." Fancy that! I called my family immediately and told them I was looking out the window at France. To add to the irony, my students were studying the European land-locked borders at the time, especially the ones that historically allowed rival troops to traverse into each other's countries easily. How could I have been teaching this stuff for so long, and only be seeing it for myself today? The will and ability of the human heart to imagine, to colour, even that which we have not witnessed, for the sake of others, is something I will forever be in awe of. 


My first proper photo in my hotel room, after seeing the "this way to France" sign.

Having showered twice during the 30-plus hour trip from the Pacific to Europe, I was running out of clothes. I called the Help Desk immediately to ask where the laundry room might be, or if there was a nearby laundromat I might send my clothes to. "Madame, the hotel does all guests' laundry. Please hand yours to the nearest usher and we will add this service to your bill." I thought he may have misunderstood me- I was asking where I could go, ME, to do my laundry MYSELF. Like what I was used to. So, I explained it to him again. " I see, Madame. Yes, you may hand your laundry to one of our ushers. We will do your laundry for you as part of our hospitality services. We'll iron and press your garments, and then return them to you either folded or on a hanger; please indicate which you would prefer." Oh, no! I realized that I wasn't getting anywhere. I had to make a choice. A good one, and a fast one. 

A bit of background to my dilemma: any Pasifika person reading this will know that most of our cultures have taboos, some strict and some merely ingrained, regarding even things as mundane as laundry. The two 'restrictions' that I grew up with were:

1. Do your laundry yourself, especially if you have undergarments in there. 
2. Don't get people older than you to do chores for you!


But I needed clothes! The conference I was there to attend would be opening the following day, with a formal dinner at the World Economic Forum Headquarters. Those were the longest two or three minutes in my life! The brief silence as the Help Desk waited for me to make up my mind was almost deafening. My mother, being Melanesian, is particularly strict on these 'taboos.' My father was always a little more modernized in his thinking. He'd say, "do what the Romans do. You're in Rome, after all." It was then that it hit me. Rome has its own wisdom. This wisdom is borne out of the experiences and values of its own people. All wisdom has some wisdom in it. "If I refuse now, I'll run out of clothes by Day 2 of the summit, and I won't learn a thing about this strange and beautiful place, or these polite and beautiful people who are so so sooooo kind!." Less than five minutes after I agreed to let the hotel handle my laundry, a lovely woman in a red blazer and the nicest shoes I'd ever seen came by to pick up my laundry. She was around the same age as my mother, and I had to actively suppress the deep guilt I felt at having her do my laundry for me. She spoke only French, so it was a bit of a struggle to explain to her about my favorite checkered blue shirt. I always keep it on a hanger, even though it does not need one. Eventually, we came to a good enough consensus, and she said some of the only French words I know: "merci, Madame." A woman twice my age was not only going to do my laundry for me, but also calling me 'Madame'! I really was a world away from where I grew up!




(Story to be continued in next entry!)

      







Saturday, October 28, 2023

WHY THOUGH? Part II

So Much for So Little?

Volunteer work, N.G.O.s, not-for-profit networks...blogging. These are much-needed, and VERY difficult to do when you live in a third world country that's about as big as an ink blot on an atlas. Also, it's Samoa, for goodness sake. Everyone has a job, maybe even two, and then there's the deluge of family fa'alavelave, 'autalavou meetings, alumni fundraising group chats (hopefully not more than two!), loan deductions...SO: Why even bother taking on an extra workload (and the extra #issues it might bring) for FREE?!

My previous entry was part of the answer to the (very long) question above. A question that, as I said, people love to ask. In thinking about the whole concept of 'asking questions', I realize that while, yes, our Pasifika societies are generally really inquisitive, they also have a deep-rooted love for story-telling. We were chanters, singers, dancers, musicians, navigators and artists- on skin and tree fiber- long before the written word was given to us. A question is, in essence, an invitation to tell a story. It can be a long story: a close friend's "how are you?" can lead to you sharing about an illness in the family or a spat with a nosy colleague. An acquaintance's "how are you?" is generally responded to with the generic "I'm fine thanks, how are you?" We go on and on, being not fine, but saying nothing of it, because even something as abstract as storytelling has its unspoken and clearly defined limits. 

At my father's funeral, his older brother started his eulogy with these words: "Never has so much been given for so little. I know this was originally spoken about some great and famous world leader. But in my little world, I considered my brother 'great', and I consider this to be a very great sacrifice!" This is the way in my Samoan extended family- we say things 'straight up', and how you process any and all of it is your responsibility. It's a tough family to be from- but a good one- all the same, because it prepared me for the harshness of the outside world. And it gave me the same sense of purpose and duty that my father had in his lifetime. Part of this sense of purpose is understanding that the reward for good, worthwhile work is not always a financial one. 

I'd never knock money out of the loop: I, and most people my age, have about six different 'problems' that a little extra cash would definitely go a long way to fix. Money is important. What does that meme ask: ever tried to pay for a trip with courage? (lol) Exactly! WE NEED MONEY! But...it is not, and never will be, the only or most important thing that we need. 

I volunteer, aside from my multiple paying jobs, because it makes me happy. Expending time, energy and brainpower is of course by no means the sole way for a clinically anxious or depressed person like myself to find #TrueHappiness (what even is that...?). It is, however, one of the BEST ways for ME to truly enjoy my life and to reach my ultimate goal: making a difference in my world. You'll notice I use the possessive pronoun "my" there instead of something more general like "the". I know I can't, and probably won't, change the entire planet. I'm just a girl on a little island. But I know I can change my world: the people and places that I have access to. Everyone has their own world- their own sphere of impact and influence.  I often lie on my couch and imagine just how amazing it will be if/when we all do just a little extra to make a difference in our own worlds. The world itself will become a brighter, kinder, more thoughtful place. Yeah, this sounds like a massive delusion, what with the state of international relations at the moment. But if we humans made this little pale blue dot (Carl Sagan's analogy, not mine), so full of war and pestilence and ignorance, surely we are also powerful enough to make it just a little more peaceful, healthy and educated? 

For the last two years, I've been a member of the Global Shapers Community. It's basically the youth engagement arm of the World Economic Forum. Yes, yes, it's completely VOLUNTARY! The goals of our community are simple: we want to include young professionals- aspiring leaders from all walks of life- in the planning and implementation of initiatives that directly shape the future of the world that they are going to inherit. It's a big and small world, after all. The local Shapers Hub in Apia currently has two projects. The first, of which I am Project Lead, is called  the Atamai Online Education and Career Planning Project. We focus on improving educational equity, accessibility and career planning for tertiary students and job seekers in Samoa. Our passion for making education an open-access commodity, so to speak, is born out of our own experiences in the local education system, but also from witnessing the struggles of many young people whose schooling years were interrupted by the COVID-19 pandemic and its resulting lock-downs. The second project, called the Carbon Audit, is spearheaded by the many engineers that our hub is blessed to have on board. Their mission is to promote open dialogue about environmental and climate change issues in Samoa, and to raise awareness in our communities about the indispensable role of youth in the ongoing fight against the rising sea level, heightened global temperatures and, most prevalent of all, misinformation.

Will our two little projects get every student in Samoa educated, or stop the high waves from lapping high over the Apia seawall at random times? Probably not. But: will they help a recent uni graduate put relevant info on her CV? Will they remind a group of Year 9 boys not to throw their ice-pop packaging into the nearest waterway? DEFINITELY. And that is all the difference they need to make. That is the world they need to change. It is so little, I agree. But it is also so, so much. And it is worth it. 




WHY, THOUGH? Part I


Leaps of Faith vs. Calculated Risks

Volunteer work, N.G.O.s, not-for-profit networks...blogging. These are much-needed, and VERY difficult to do when you live in a third world country that's about as big as an ink blot on an atlas. Also, it's Samoa, for goodness sake. Everyone has a job, maybe even two, and then there's the deluge of family fa'alavelave, 'autalavou meetings, alumni fundraising group chats (hopefully not more than two!), loan deductions...SO: Why even bother taking on an extra workload (and the extra #issues it might bring) for FREE?!



If ever I had to say what question I get asked the most, it'd definitely be the one above! My students ask me it. My colleagues ask me it.  My mother even asks me it...well, usually in the context of, "you're getting ANOTHER job? Is it another income too, please?" (Pacific mothers, aye?) While giving the same answer to the same question does get a little tiring, I'd also say, to those who ask: hey, fair enough. 

For the last year-and-a-half, I've been simultaneously working no less than two jobs (sometimes three) at a time WHILST also volunteering AND being a sole caregiver as well as a single income-earner. My clinical anxiety works for but also against this, shall I say, 'arrangement'...When I'm productive, I'm sending emails and sharing documents and planning, planning, planning to the point where it's almost annoying if you're on the receiving end. When I'm having an off day (or week, haha!), I'll still do all these things, but much, much, slower. This is equally annoying if you need a report or graph or email response from me. Nonetheless, 'I get it done', as the saying goes. 

To the point now: Why get more jobs, why sign on to more projects, and why make a blog to talk about getting jobs and signing onto projects? Well, it's simple: BECAUSE I CAN. Ability and agency are two of the greatest assets anyone can have. Yes, starting capital (read: inherited wealth) is an amazingly freeing and empowering thing. But it isn't a necessary prerequisite to furnishing your lifetime with the doing of all the things you want to, and the use of your talents and strengths to carve out the kind of legacy you hope to leave behind. I come from a very working class background: my parents were both first in their immediate families to graduate with any sort of tertiary qualifications. My siblings and I went through secondary and tertiary schooling with the help of scholarships and those pesky but necessary loan schemes that our father would apply for. He'd pay off one child's education loan, and then be faced with having to take out another, because by then, the next kid would be ready for high school or university. It wasn't the worst possible scenario you could imagine, but it was certainly not the best. One thing I have taken from my childhood is a deep and abounding appreciation for the ABILITY, and the AGENCY to work good jobs, to learn important skills, and to develop myself as a person. When you grow up with limited agency, you become an adult who appreciates being ABLE, however difficult your circumstances may still seem. 

I can teach, I can write, I can read, I can speak. And I can certainly take down an accurate dictation. Meeting minutes are my #life. The four founding pillars of literacy education in Samoa are listening, speaking, reading and writing. For all that is to be improved in it, I credit the Samoan education system for giving me a very holistic, broad foundation. I have built all four of my careers on this, and it has served me well on days when most other things (and people) have not. The education system that built me was focused on goal-setting. I was taught the importance of logical, measurable steps. Even risks have to be properly planned out. Know what you are risking, and know why you are risking it. Know what abilities you have, and know how much agency and space you have to exercise them. 

I was a nervous kid...painfully so. One night, after struggling through my Year 8 mathematics homework with me, my Dad gave me some (branded and cliche, but very helpful) advice: "Don't be afraid. Don't hold yourself back- if you know you can, then do it! Nike. Just do it!" Fathers, aye? I miss those dad jokes and nuggets of (un)original wisdom everyday. Cringe-inspiring? Probably. But these words have held true for me in all the fourteen or so years since they were spoken to me. There's only so much fretting you can do over a situation or an impediment. If you want to achieve anything worthwhile, you'll have to get to the point where you decide if you really can (or cannot) do it, and then, ACT ON WHAT YOU BELIEVE. Make your calculations, consider your risks, and finally, do the hardest and easiest part: take the leap. That's faith, by the way- stepping out because you know you can. 




It's February and I Feel Free "There is a lovely hill that runs out of Ixopo."- Alan Paton, 'Cry, the Beloved Country'...